Εγκυκλοπαίδεια Μείζονος Ελληνισμού, Μ. Ασία

αναλυτική αναζήτηση

 ΙΔΡΥΜΑ ΜΕΙΖΟΝΟΣ ΕΛΛΗΝΙΣΜΟΥ
z
 
 
 
 
 
 
 
 
 
Αναζήτηση με το γράμμα ΑΑναζήτηση με το γράμμα ΒΑναζήτηση με το γράμμα ΓΑναζήτηση με το γράμμα ΔΑναζήτηση με το γράμμα ΕΑναζήτηση με το γράμμα ΖΑναζήτηση με το γράμμα ΗΑναζήτηση με το γράμμα ΘΑναζήτηση με το γράμμα ΙΑναζήτηση με το γράμμα ΚΑναζήτηση με το γράμμα ΛΑναζήτηση με το γράμμα ΜΑναζήτηση με το γράμμα ΝΑναζήτηση με το γράμμα ΞΑναζήτηση με το γράμμα ΟΑναζήτηση με το γράμμα ΠΑναζήτηση με το γράμμα ΡΑναζήτηση με το γράμμα ΣΑναζήτηση με το γράμμα ΤΑναζήτηση με το γράμμα ΥΑναζήτηση με το γράμμα ΦΑναζήτηση με το γράμμα ΧΑναζήτηση με το γράμμα ΨΑναζήτηση με το γράμμα Ω

Ephesus (Antiquity), Heroon of Androclus

Συγγραφή : Dawson Maria-Dimitra (10/3/2003)
Μετάφραση : Panourgia Klio

Για παραπομπή: Dawson Maria-Dimitra , "Ephesus (Antiquity), Heroon of Androclus",
Εγκυκλοπαίδεια Μείζονος Ελληνισμού, Μ. Ασία
URL: <http://www.ehw.gr/l.aspx?id=8257>
Έφεσος (Αρχαιότητα), Ηρώον Ανδρόκλου (6/2/2006 v.1) Ephesus (Antiquity), Heroon of Androclus (15/2/2006 v.1) 

ΓΛΩΣΣΑΡΙΟ
 

acroterium
Sculptured motif, figurative or not, placed above the corners of the pediments in religious structures and public buildings.

anta or pilaster, the
A shallow rectagular feature projecting from a wall, having a capital and a base and architecturally treated as a column.

arch, the
A curved structure, as a masonry, that covers openings in the stonework and is capable to supports the weight of material over an open space, as in a bridge, doorway, etc. It is often used as a decorative element.

architrave or epistyle
The lowest part of an entablature resting on the columns capitals and supporting the frieze.

attic-ionic base
Base of an Ionic column, consisting of an upper and lower torus, separated by a scotia and fillets

capital
The uppermost part of a column or pillar crowning the shaft and supporting the entablature. The decoration of the capital characteristizes the ancient greek orders of architecture. In Doric order the capitals are decorated with abacus and echinus, in Ionic with spiral scrolls (volutes), while the corinthian capitals are composed of small corner volutes and a basket-shaped body decorated with rows of acanthus leaves.

chiton, the
Item of clothing consisting of a square woollen textile seamed on both sides.

coffer
Recessed ornamental square or octagonal panels sunk in the ceilings of buildings. They were decorated with relief or pictorial, usually floral, designs.

cornice
1. (Antiq. and Byz.) Member of the entablature or the architrave that projects in the elevation of a secular or religious building. As a horizontal member it may run along a wall. The cornice may also be the projecting part of the roof, protecting the building from rain.2. (Byz. archit.) Decorative architectural element used to articulate the walls of a church, both on the inside and on the outside, by marking the division between the vertical wall and the spring of the vaults. It usually bears painted or sculptural decoration of vegetal or geometric motifs.

crepis / crepidoma
The solid mass of stepped masonry serving as the visible base of a building. The crepidoma usually consists of three steps. The top step from which the columns spring is called the stereobate.

doric order, the
One of the three orders or organizational systems of Ancient Greek originated on the mainland and western Greece. It is characterized by short, faceted, heavy columns with plain, round capitals (tops) and no base. The capital consists of a necking which is of a simple form. The echinus is convex and the abacus is square. Above the capital is a square abacus connecting the capital to the entablature. The Entablature is divided into two horizontal registers, the lower part of which is either smooth or divided by horizontal lines. The upper half is distinctive for the Doric order. The frieze of the Doric entablature is divided into triglyphs and metopes. A triglyph is a unit consisting of three vertical bands which are separated by grooves. Metopes are plain or carved reliefs.The Doric order comes without an individual base. They instead are placed directly on the stylobate. The capital consists of a necking which is of a simple form. The echinus is convex and the abacus is square. Above the capital is a square abacus connecting the capital to the entablature. The Entablature is divided into two horizontal registers, the lower part of which is either smooth or divided by horizontal lines. The upper half is distinctive for the Doric order. The frieze of the Doric entablature is divided into triglyphs and metopes. A triglyph is a unit consisting of three vertical bands which are separated by grooves. Metopes are plain or carved reliefs.The Doric order comes without an individual base. They instead are placed directly on the stylobate.

drum
The cylindric parts of stone or marble, of which a column is built up.

entablature, the
The upper part of the classical order, that rests on the columns, it consists of the architrave, frieze and cornice.

frieze (1. architecture), (2. painting)
1. The part of the entablature resting on the architrave and below the cornice. In the Doric order the frieze is decorated with two alternative motives, namely the triglyph and metope, while in the Ionic order the frieze is a decoratively carved band.2. Decorative horizontal band that sweeps parts of a vessel or the highest part of the walls in a room.

garlands
Derorative ornament with flowers and fruits, tied with ribbons and plant stalks.

ionic order, the
An architectural order devised in Ionia and developed in Asia Minor and the Greek islands in the 6th century BC. Its columns have elaborately moulded bases, fluted shafts (with fillets, ending in fillets), and volute capitals. The entablature consists of an three-fasciae archirave, a continuous frieze, usually richly decorated with reliefs, and a cornice. The Ionic order was more elaborate in dimentions, comparing with the Doric.

metope (1. architecture, 2. painting)
1. Rectangular element separating the triglyphs on a Doric frieze. Metopes often have figurative relief representations.2. rectangular area, usually at the height of the vessel's handles, depicting figural or non figural ornamental representations.

nymphaeum, the
Originally the sacred grotto dedicated to the Nymphs. During the Roman period the Nymphaea were monumental public fountain constructions, commissioned by wealthy citizens. During the Early Byzantine period they often adorned the fora (public spaces).

opus caementicium
Roman technique of constructing structures using concrete. It was spread in the east part of the Roman Empire after 50 BC.

orthostate
A course of blocks laid on edge, normally in the lower part of the wall of a building.

pediment, the
The triangular structure, over a building façade, between the horizontal entablature and the sloping roof, often decorated with sculptures, reliefs or painted figures.

phiale, the
A (metal, rarely clay) shallow vessel with an open rim. Used primarily in libations.

pillar
Pier of square or rectangular cross-section.

rosette, the
An ornament with a generally circular combination of parts resembling a flower or plant.

sima, sime
Part of architectural sculpture made of marble or clay. Its bears a meticulous appearance and it has a decorative character crowning the entablature. Its section is semicircural and it was used to channel water.

stylobate
The top step of the crepidoma (the stepped foundation of an ancient Greek building) from which the columns rise.

terminus ante quem (lat.)
Technicality of historical studies for expressing the chonological line, before which an event took place.

tympanum (lunette)
(Rom., Byz.) The arched panel (lunette) inside an arch or an arcosolium.

 
 
 
 
 
 
 
 

Δελτίο λήμματος
 
press image to open photo library
 

>>>
 
 
 
 
 
 

copyright © 2008, ΙΔΡΥΜΑ ΜΕΙΖΟΝΟΣ ΕΛΛΗΝΙΣΜΟΥ

Το έργο Μεγάλη Δικτυακή «Εγκυκλοπαίδεια Ελληνικού Πολιτισμού» - Μέρος Α΄ συγχρηματοδοτήθηκε σε ποσοστό 80% από το Ευρωπαϊκό Ταμείο Περιφερειακής Ανάπτυξης (ΕΤΠΑ) και κατά 20% από εθνικούς πόρους στο πλαίσιο του Επιχειρησιακού Προγράμματος "Κοινωνία της Πληροφορίας" του Γ΄ ΚΠΣ.

Το έργο ΕΓΚΥΚΛΟΠΑΙΔΕΙΑ ΜΕΙΖΟΝΟΣ ΕΛΛΗΝΙΣΜΟΥ συγχρηματοδοτήθηκε σε ποσοστό 80% από το Ευρωπαϊκό Ταμείο Περιφερειακής Ανάπτυξης (ΕΤΠΑ) και κατά 20% από εθνικούς πόρους στο πλαίσιο του Επιχειρησιακού Προγράμματος "Κοινωνία της Πληροφορίας" του Γ΄ ΚΠΣ.